
Play On makes an apt title. When founding guitar star, singer and songwriter Peter Green left the Mac’s original neo-blues band lineup in 1970, Fleetwood resolved to carry on as the band went through more personnel changes then Spinal Tap’s drum stool – a fascinating tale in and of itself.
Related: Fleetwood organized a massive “Music of Peter Green” concert in 2020
Just as his primal bottom-heavy beats and distinctive top-of-the kit flourishes have been at the heart of his group’s sound over their nearly five-decade career, so has Fleetwood being the mighty engine behind the big Mac’s survival and triumphs, even managing the group during its mid-’70s rise to the pinnacle of superstardom and into its aftermath.
Unlike many rockers whose early-in-life pains, struggles and chaos fueled their drive to succeed in music, Fleetwood, born June 24, 1947, hails from a fond, supportive and highly functional family, as he recounts here – a grounding that certainly plays into his band’s longevity and success and fuels the near-irresistible honesty that helps make Play On such a compelling and winning read. A “you-are-there-too” vividness to its storytelling invests his recounting of, for instance, the challenges and anguish surrounding the recording of Rumours with palpable pain. The same goes in a very different way for an ending that’s not only happy but rich with the lessons and wisdoms learned along his journey (which also includes a few bankruptcies, rip-offs, and a manager that put a fake Fleetwood Mac on tour).
It concludes with the prospect of a future album – as Fleetwood Mac’s most potent line-up of Lindsey Buckingham, Nicks, John, Christine McVie and the author reunite for an extended tour and promised new recording. We know now that the plan changed given Buckingham’s 2018 departure.
1 Comment so far
Jump into a conversationVery nice piece, well written!
K. Vyse, UWS, NYC