The Beatles’ ‘White Album’ 50th Anniv. Set Arrives
by Best Classic Bands StaffIn November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the release of The BEATLES (soon to be better known as The White Album). On November 9, 2018, The Beatles released a suite of lavishly presented White Album packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos (aka the Esher demos) and 50 session takes, most of which are previously unreleased in any form.
We’ve got many of the demos and 2018 mixes in this story; listen to them below.
This is the first time The BEATLES has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for The White Album, Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new White Album releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.
From the announcement: With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album.
Watch the video for the 2018 mix of “Glass Onion,” released on November 2 (and scroll down for earlier acoustic demos of the song)
Listen to the so-called “Esher demo” of “Back in the U.S.S.R.” from the collection
“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new White Album releases.
Listen to an early acoustic version of “While My Guitar Gently Weeps,” released October 18
“In remixing The White Album, we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.” (Scroll below for a clip of Giles Martin and Sam Okell discussing the project.)
The BEATLES (White Album) releases include:
Super Deluxe: The comprehensive, individually numbered 7-disc and digital audio collections feature:
CDs 1 & 2: The BEATLES (White Album) 2018 stereo album mix
CD3: Esher Demos
– Esher Demo tracks 1 through 19 sequenced in order of the finished song’s placement on The White Album. Tracks 20-27 were not included on the album.
CDs 4, 5 & 6: Sessions
– 50 additional recordings, most previously unreleased, from White Album studio sessions; all newly mixed from the four-track and eight-track session tapes, sequenced in order of their recording start dates.
Blu-ray:
– 2018 album mix in high resolution PCM stereo
– 2018 DTS-HD Master Audio 5.1 album mix
– 2018 Dolby True HD 5.1 album mix
– 2018 direct transfer of the album’s original mono mix
Deluxe: The BEATLES (White Album) 2018 stereo album mix + Esher Demos
The 3-CD; 180-gram 4-LP vinyl box set (limited edition); and digital audio collections pair the 2018 stereo album mix with the 27 Esher Demos.
Standard 2-LP Vinyl: The BEATLES (White Album) 2018 stereo mix
180-gram 2LP vinyl in gatefold sleeve with faithfully replicated original artwork
The complete track listings are below.
The minimalist artwork for The White Album was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of The White Album were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other.
The Beatles St Pancras Old Church, London. July 28, 1968 (Photo: © Apple Corps Ltd.; used with permission)
The book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original White Album print ads. The book’s comprehensive written pieces include new introductions by McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of Sgt. Pepper and recording sessions for The White Album, the band’s July 28, 1968, “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson.
Related: The best studio double albums of all-time
The Deluxe 3-CD is presented in an embossed digipak with the fold-out poster and portrait photos, plus a 24-page booklet abridged from the Super Deluxe book. Presented in a lift-top box with a four-page booklet, the limited edition Deluxe 4-LP vinyl set presents the 2-LP album in a faithful, embossed reproduction of its original gatefold sleeve with the fold-out poster and portrait photos, paired with the 2-LP Esher demos in an embossed gatefold sleeve.
Listen to the “Esher” demo of “While My Guitar Gently Weeps”
Much of the initial songwriting for The White Album was done in Rishikesh, India, between February and April 1968, when John Lennon, Paul McCartney, George Harrison and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “We’ve got about two L.P.s worth of songs now so get your drums out.”
During the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on The White Album.
The Beatles with George Martin during a recording session at Trident Studios 1968 (Photo: Tony Bramwell / © Apple Corps Ltd.; used with permission)
The Beatles’ studio sessions for The BEATLES (White Album) began on May 30, 1968, at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for The White Album was quite different from what they had done for Sgt. Pepper. Rather than layering individually overdubbed parts on a multi-track tape, many of the White Album session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock.
The Beatles’ newly adopted method of recording all through the night was time-consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of White Album sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie and collaborative strengths within the band, as well as with George Martin.
Listen to an early instrumental take of “Birthday”
Related: Our obituary of Geoff Emerick, who died on October 2, 2018
The White Album reached #1 in its second week on the Record World album chart
The BEATLES (White Album) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. The White Album also debuted at#1 on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared, “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”
Super Deluxe [6-CD+1-Blu-ray set / digital audio collection]
CD 1: The BEATLES (White Album) 2018 Stereo Mix
Back in the U.S.S.R.
Dear Prudence
Glass Onion
Ob-La-Di, Ob-La-Da
Wild Honey Pie
The Continuing Story of Bungalow Bill
While My Guitar Gently Weeps
Happiness is a Warm Gun
Martha My Dear
I’m so tired
Blackbird
Piggies
Rocky Raccoon
Don’t Pass Me By
Why don’t we do it in the road?
I Will
Julia
CD 2: The BEATLES (White Album) 2018 Stereo Mix
Birthday
Yer Blues
Mother Nature’s Son
Everybody’s Got Something to Hide
Except Me and My Monkey
Sexy Sadie
Helter Skelter
Long, Long, Long
Revolution I
Honey Pie
Savoy Truffle
Cry Baby Cry
Revolution 9
Good Night
CD 3: Esher Demos
Back in the U.S.S.R.
Dear Prudence
Glass Onion
Ob-La-Di, Ob-La-Da
The Continuing Story of Bungalow Bill
While My Guitar Gently Weeps
Happiness is a Warm Gun
I’m so tired
Blackbird
Piggies
Rocky Raccoon
Julia
Yer Blues
Mother Nature’s Son
Everybody’s Got Something to Hide
Except Me and My Monkey
Sexy Sadie
Revolution
Honey Pie
Cry Baby Cry
Sour Milk Sea
Junk
Child of Nature
Circles
Mean Mr. Mustard
Polythene Pam
Not Guilty
What’s the New Mary Jane
CD 4: Sessions
Revolution I (Take 18)
A Beginning (Take 4) / Don’t Pass Me By (Take 7)
Blackbird (Take 28)
Everybody’s Got Something to Hide
Except Me and My Monkey (Unnumbered rehearsal)
Good Night (Unnumbered rehearsal)
Good Night (Take 10 with a guitar part from Take 5)
Good Night (Take 22)
Ob-La-Di, Ob-La-Da (Take 3)
Revolution (Unnumbered rehearsal)
Revolution (Take 14 – Instrumental backing track)
Cry Baby Cry (Unnumbered rehearsal)
Helter Skelter (First version – Take 2)
CD 5: Sessions
Sexy Sadie (Take 3)
While My Guitar Gently Weeps (Acoustic version – Take 2)
Hey Jude (Take 1)
St. Louis Blues (Studio jam)
Not Guilty (Take 102)
Mother Nature’s Son (Take 15)
Yer Blues (Take 5 with guide vocal)
What’s the New Mary Jane (Take 1)
Rocky Raccoon (Take 8)
Back in the U.S.S.R. (Take 5 – Instrumental backing track)
Dear Prudence (Vocal, guitar & drums)
Let It Be (Unnumbered rehearsal)
While My Guitar Gently Weeps (Third version – Take 27)
(You’re so Square) Baby, I Don’t Care (Studio jam)
Helter Skelter (Second version – Take 17)
Glass Onion (Take 10)
CD 6: Sessions
I Will (Take 13)
Blue Moon (Studio jam)
I Will (Take 29)
Step Inside Love (Studio jam)
Los Paranoias (Studio jam)
Can You Take Me Back? (Take 1)
Birthday (Take 2 – Instrumental backing track)
Piggies (Take 12 – Instrumental backing track)
Happiness is a Warm Gun (Take 19)
Honey Pie (Instrumental backing track)
Savoy Truffle (Instrumental backing track)
Martha My Dear (Without brass and strings)
Long, Long, Long (Take 44)
I’m so tired (Take 7)
I’m so tired (Take 14)
The Continuing Story of Bungalow Bill (Take 2)
Why don’t we do it in the road? (Take 5)
Julia (Two rehearsals)
The Inner Light (Take 6 – Instrumental backing track)
Lady Madonna (Take 2 – Piano and drums)
Lady Madonna (Backing vocals from take 3)
Across the Universe (Take 6)
Blu-ray: The BEATLES (White Album)
Audio Features:
: PCM Stereo (2018 Stereo Mix)
: DTS-HD Master Audio 5.1 (2018)
: Dolby True HD 5.1 (2018)
: Mono (2018 Direct Transfer of The White Album Original Mono Mix)
Deluxe [3CD digipak / 180-gram 4-LP vinyl box set (limited edition) / digital audio collection]
The BEATLES (White Album) 2018 Stereo Mix
Esher Demos
Standard 2-LP Vinyl [180-gram]
The BEATLES (White Album) 2018 Stereo Mix
Watch Giles Martin and Sam Okell discuss the project
2 Comments so far
Jump into a conversationWhat happened to the famous “Carnival of Light” jam? It should have been included.
Carnival of Light was created during Pepper, it wouldn’t belong on a White Album collection.