The Scene:
The Scene features a variety of articles that explore a wide range of subjects, all of then delving into the many aspects of rock ‘n’ roll music, its artists and players, the music business and classic rock culture
Creedence’s ‘Green River’: Admit It, You Don’t Know the Lyrics
John Fogerty’s lyrics have a creative imagery and he has a unique way of pronouncing them. You’ve sung along dozens of times but do you know the words?
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When Deacon Frey Made His Eagles’ On Stage Debut
The classic rock greats returned to the concert stage for the first time since their co-founder’s death, with a beautiful 23-song set with family and friends
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Steppenwolf, Born to Be Wild & Easy Rider
Some songs are inextricably associated with certain films, and few are as evocative as this 1968 classic, which has come to define biker culture
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Early Byrds—Interviews with McGuinn, Crosby & Hillman
“Our manager said, ‘You want to make records you will be proud to listen to in 40 years.’ He was right.”—Chris Hillman
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When Live Aid Rocked the Planet
We recap the biggest charity concert in music history, where dozens of stars performed in London and Philadelphia for a massive worldwide TV audience in 1985
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Jefferson Starship in the ’70s: How They Were Born and Nearly Died in 4 Short Years
From the time Marty Balin reunited with former bandmates Grace Slick and Paul Kantner, the hits came fast. But then things went south, quickly.
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Three Dog Night: Under the Covers
Their value lie not in their compositional skills but in their knack for choosing songs by others that fit their style and broadened their appeal.
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When the Climax Blues Band Got it Right
The British group began as a blues revivalist outfit and charted twice with songs that were a bit outside of their original musical style
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Bobbie Gentry’s ‘Ode to Billie Joe’: Another Sleepy, Dusty Delta Day
Why did he kill himself? What was thrown from the bridge? What became of the singer-songwriter behind it? Here’s what’s known.
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Full Cyrkle: The ‘Red Rubber Ball’ Band Bounces Back
They scored a smash single with an unreleased Paul Simon song, were managed by Brian Epstein and disappeared after two hits
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