Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
Squeeze ‘East Side Story’: A Wily New Wave Classic
The album’s success underscores how Squeeze’s elan as a lively, kinetic pop-rock outfit was elevated by Difford and Tilbrook’s artistry as storytellers.
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The Shining Debut of Quicksilver Messenger Service
Years of playing and professionalism produced one of the era’s best records, whose sheer musicality shines as brightly today.
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Chicago’s Eclectic Debut Album: With Authority
Chicago’s speedy ascent was fueled by a landmark debut that made an immediate splash with critics and listeners, but it was more than a hit record.
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Talking Heads ‘More Songs About Buildings and Food’: Artful Music
“We don’t fit into anyone else’s category, so we’re going to have to create our own,” said David Byrne about the band’s second album.
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Leonard Cohen: His “Gloomy” ‘Songs of Love and Hate’
His third studio album cemented his reputation as “the grocer of despair”
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10cc’s ‘The Original Soundtrack’: A Widescreen Masterpiece
The talented quartet was committed to using satire, parody, jokes and sonic guffaws in their eclectic mix.
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The Hard-Boiled Asylum Debut of Warren Zevon: Rock Noir
With production by Jackson Browne and great songs like “Poor, Poor Pitiful Me” and “Hasten Down the Wind,” the 1976 LP is an unsung classic.
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Todd Rundgren ‘Something/Anything?’: An Extravagant Opus
As its title suggests, the ambitious, far-reaching 1972 double album provided early proof that the possibilities were endless.
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The David Crosby Solo Debut—Well Worth Remembering
For the 1971 release, Croz gathered a superb supporting cast, one that featured the communal contributions of friends and fellow travelers.
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Elvis Costello & The Attractions ‘Trust’: A Dark Masterwork
The album, Costello’s fifth overall, captures the quartet at a potent but troubled peak, its title a loaded, ironic signifier
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