Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
Paul Simon ‘There Goes Rhymin’ Simon’: American Tunes
With classic songs such as “American Tune,” “Kodachrome” and “Loves Me Like a Rock,” his third solo album sealed his reputation as a major solo artist.
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Jethro Tull—’Aqualung’: The Ultimate Concept Album
It proved successful, with the rock press heralding the album for its variety, seriousness and the unmatched musicianship.
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Steely Dan ‘The Royal Scam’: Rock on a Grand Scale
The 1976 LP proved divisive, augmenting the leaner ensemble core of prior albums with more aggressive ensemble arrangements.
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Dave Edmunds’ ‘Tracks on Wax 4’: In the Spirit
He told a journalist, “Three-minute singles with a bit of feeling and class, were what we based Rockpile on.”
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Dave Mason: ‘Alone Together’—Colorful Throughout
It’s often remembered for its multi-colored marble vinyl, but the former Traffic member’s solo debut also contained some of his finest songs
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J. Geils Band’s ‘Live—Blow Your Face Out’ Revisited
It wasn’t their first live album, but ‘Blow Your Face Out’ took the band’s manic rock ‘n’ soul energy to another level entirely.
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Rod Stewart ‘Unplugged…And Seated’: Having a Party
Pushing the “unplugged” concept to its limit, Stewart is backed by a full string section and a dozen other musicians and vocalists.
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Roger Daltrey and His 1973 Solo Debut: Doing A Favor
He wasn’t even planning on recording a solo album. But one thing led to another and soon The Who’s lead singer found himself with 10 songs of his own.
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‘L.A. Woman’: The Doors’ Last Call
Their sixth and final studio LP re-energized the band through a return to their roots in American blues, and served as a tribute to their hometown.
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‘Desperado’—Eagles’ Sagebrush Country-Rock Opera
With its sophomore effort, the band tethered its polished country-rock to a concept album driven by a Wild West narrative.
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