Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
Pink Floyd’s ‘Later Years’ Box: We Don’t Need No Roger Waters
‘The Later Years’ isn’t for casual fans. But if you’re a serious Floyd follower, it’s probably time to hand over your credit card.
Read MoreJimi Hendrix @ Fillmore East (Nearly) Complete: Review
The Fillmore shows were the new group’s first live gigs, and they produced the first and only concert LP authorized by Hendrix during his lifetime.
Read MoreGene Clark’s ‘No Other’: An Underrated Country-Rock Gem
The album by the former Byrds member, over the years, has attracted enough of a cult following to prompt the recent release of a boxed set.
Read MoreSteve Miller Band’s ‘Welcome to the Vault’ Reviewed
The album’s less-commercial and less-familiar material may prove revelatory to those who know Miller solely or primarily from the hits.
Read MoreDylan in Nashville: ‘Travelin Thru’ Box Set Reviewed
Most amazing of all is Dylan’s voice, now a silky baritone. “When I stopped smoking,” he said, “my voice changed…I couldn’t believe it myself.”
Read MoreRamones’ ‘It’s Alive’ Deluxe Reviewed: Back to Basics
Nobody took rock back to basics more than the Ramones, whose concise, beat-driven tunes hit you over the head with elemental bursts of sound.
Read MoreGrateful Dead’s ‘Aoxomoxoa’ @50: Review
Like its predecessors, the 1969 psychedelic classic didn’t sell all that well—it took nearly two decades to go gold—but it has aged nicely.
Read MoreGlen Campbell ‘The Legacy’ Box Set Review
He scored no fewer than 20 pop hits in a 10-year period that began in 1967, and, in 1969, he actually outsold the Beatles.
Read MoreVan Morrison ‘The Healing Game’ Deluxe: Review
This deluxe edition of ‘The Healing Game’ may lead fans to re-examine what Morrison was up to in the late ’90s. They’re bound to like what they hear.
Read MoreRolling Stones’ ‘Beggars Banquet’ Reissue: Review
The album saw them moving back to basics for an album that relied largely on acoustic blues. There’s not a rotten apple in the bunch.
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