Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
Neil Young’s ‘Comes a Time’: Direct From The Heart
He became mostly restrained and melancholy for this 1978 release, drawing on folk and country idioms. It includes recordings made over several years.
Read MoreKansas’ ‘Leftoverture’: A Prog/Arena Rock Magnum Opus
Their fourth album made Kansas one of the top U.S. mainstream rock bands and helped pave the way for the style now known as “arena rock.”
Read MoreBilly Joel: ‘The Stranger’—The Breakthrough
The album could be considered a greatest hits, given the fact that several of the songs are still considered essential Joel standards.
Read More‘Smiley Smile’: The Beach Boys Album That Wasn’t Supposed to Be
Their followup to ‘Pet Sounds’ was a quick replacement for an abandoned masterpiece-to-be. Some fans didn’t love it, but in time its reputation has grown.
Read MoreCheap Trick ‘In Color’: The LP That Put Them on the Map
Cheap Trick broke musical and lyrical boundaries, even defying the look of a rock band with a couple of rock stars and a couple of nerds.
Read MoreMott the Hoople ‘All the Young Dudes’ Generated Some Hoopla
The album, with its Bowie-written title track, emphasized the band’s bravado, and helped lay the foundation for the ’70s glam movement.
Read MoreR.E.M.’s ‘Document’: Not the End of the World, But the End of an Era
The Georgia band’s fifth studio album was the mark of a group spreading its wings, but also leaving something behind.
Read MoreAerosmith ‘Permanent Vacation’: A Rejuvenation
They’d lost their way as the ’80s lumbered along. Then, the Boston rockers remembered just who Aerosmith was. We take a look back at their classic comeback
Read MoreWarren Zevon’s Recovery Through ‘Sentimental Hygiene’
The 1987 album signaled more than a bid for a career reset. Now sober and focused, and with help from R.E.M., he was clearly back on track.
Read MoreThe Kinks’ Masterful ‘Everybody’s in Show-Biz’
The Kinks returned to America in 1972 after a ban to become the arena rock band they deserved to be.
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