Anderson Rabin Wakeman Deliver Yes Songs in NYC

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Anderson, Rabin, bassist Pomeroy and Wakeman at the Beacon Theatre, Nov. 1, 2016 (Photo: Greg Brodsky)

Anderson, Rabin, bassist Pomeroy and Wakeman at the Beacon Theatre, Nov. 1, 2016 (Photo: Greg Brodsky)

Fans of the rock band Yes—who have received their third nomination for a long overdue induction into the Rock and Roll Hall of Fame—have two opportunities to enjoy the progressive rock group in concert. There’s the band that uses the official Yes name, and which features the longtime members, guitarist Steve Howe and drummer Alan White. And then there’s ARW, made up of Yes co-founder/vocalist (and primary songwriter) Jon Anderson, and keyboardist Rick Wakeman and guitarist Trevor Rabin, both longtime Yes members.

Anderson, Rabin & Wakeman are in the midst of a two-month U.S. fall tour of their new collaboration, billed as “An Evening of Yes Music and More.” When the band’s formation was announced in May, they were said to be “working on new songs,” but at their November 1 sold-out performance at New York City’s Beacon Theatre, the music was all Yes. (The lone exception: a beautiful pairing of Anderson and Wakeman on “The Meeting,” a track from 1989’s Anderson Bruford Wakeman Howe album.)

The trio was more than capably supported by bassist Lee Pomeroy and drummer Louis Molino. Pomeroy is being asked to fill the very big shoes of Chris Squire, the Yes co-founder who died of a rare form of leukemia in 2015 at just 67. It’s a tough task yet on several songs, including “Long Distance Runaround,”—from 1972’s Fragile—Pomeroy briefly takes center stage as he very capably tackles the songs’ bass solos that were always highlights of Yes concerts.

For his part, Molino takes a (literal) back seat to his band mates, save for a drum solo early in the program in which he is seen to be visibly beaming while enjoying his brief time in the limelight.

The band at a performance in Orlando earlier in the tour (Photo: Dan Higgins. Used with permission.)

The band at a performance in Orlando earlier in the tour (Photo: Dan Higgins. Used with permission.)

Rabin has numerous opportunities to stretch out, particularly on “Hold On,” which he co-wrote for the band’s 90125 LP, and the concert’s pre-encore finale, “Owner of a Lonely Heart.”

The progressive rock band routinely sold-out arenas during their world tours in support of their hugely successful run during the 1970s. (I attended several from way up in the blue seats at Madison Square Garden.) While lengthy album cuts like “Starship Trooper,” “Yours is No Disgrace” and “Close to the Edge” were favorites of free-form FM radio stations, it wasn’t until 1983’s “Owner of a Lonely Heart” that Yes earned a Top 10 pop hit. (The song reached #1 in the U.S.)

ARW’s Beacon Theatre set list focused on some unexpected gems in the Yes repertoire. Two early highlights, “Perpetual Change” and “I’ve Seen All Good People,” both from 1971’s brilliant The Yes Album, had the audience in rapt attention, particularly when Anderson enunciates “We have the whole world in our hands” during the former.

And when he sings the often-unnoticed background lyrics on “All Good People,” borrowed from John Lennon—“All we are saying, is give peace a chance”—his spirituality shines brightly.

For his part, Wakeman, resplendent in his King Arthur cape, delivers the majestic church organ on “All Good People” and on “And You and I.” The latter song allows all three of the band’s namesake members to shine. And halfway through, as the number transitions, Anderson motions ever-so-slightly to the audience that there was more to come with Wakeman’s playful keyboard leading to Anderson’s pretty “The Preacher The Teacher” section of the song. The audience sings along to every word.

Related: Our interview with Roger Dean, who designed Yes’ iconic bubble logo and many of their album covers

Another highlight was “Heart of the Sunrise,” from 1972’s Fragile. It’s not one of the first songs one thinks about from the band’s extensive output—Anderson doesn’t even begin singing until four minutes into its 11-plus-minute length. But it’s always been a showcase for the band’s musicianship. And Anderson commands the stage when he punctuates “Sharp… Distance…”

Related: Yes’ Tales From Topographic Oceans has been remastered and expanded

The middle section of the concert’s lone encore, “Roundabout,” allows Rabin and Wakeman one more opportunity to stretch out, supplemented by Pomeroy’s bass line.

Related: Newly renamed Yes featuring Jon Anderson, Trevor Rabin and Rick Wakeman have announced a 2017 North American tour

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Greg Brodsky

Greg Brodsky

Best Classic Bands Founder/CEO Greg Brodsky earned his first professional bylines as a reporter for the music trade weekly Record World. He still has all his vinyl albums and enjoys going to flea markets and garage sales to grow his collection.
Greg Brodsky
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9 Comments so far

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  1. HerbSpeaks
    #1 HerbSpeaks 3 November, 2016, 18:35

    I was at The NYC Beacon Theater show. The review says it all. The band is excellent. It’s a warm wondrous and spirited performance.

    Reply this comment
  2. Mark
    #2 Mark 4 November, 2016, 15:02

    I was also in attendance. One of the best shows I have been to in the last few years. the band was tight but they looked like they were enjoying themselves. Anderson’s voice sounds as good as it did in the 70s.

    Reply this comment
  3. Paul Watson
    #3 Paul Watson 4 November, 2016, 20:43

    “Pomeroy is being asked to fill the very big shoes of Chris Squire, the Yes co-founder who died of a rare form of leukemia in 2015 at just 67.” Seriously? Fill Chris’s shoes? lol! Chris has never been in ARW. He was always in Yes. ARW is NOT Yes.

    Reply this comment
    • Greg Brodsky
      Greg Brodsky Author 4 November, 2016, 21:41

      So, Pete Townshend goes on a solo tour and performs “5:15.” The bassist in his band will forever be compared to John Entwistle. So in this case, Pomeroy is performing Yes classics some of which, like “Heart of the Sunrise” Squire co-wrote. I totally stand by what I wrote.

      Reply this comment
      • Howeis
        Howeis 5 November, 2016, 09:50

        And I completely concur with Mr. Brodsky. Yes is Chris Squire and Chris Squire is Yes. It doesn’t matter which songs or who is playing them. If there’s a base line in a Yes song (or Yes-related song) then the player of same will forever, rightly so, be compared to Chris Squire. Bassist Lee Pomeroy did a fantastic job invoking the bass mastery of Mr. Squire and I, for one, will always welcome his interpretations on those great songs.

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    • JY
      JY 6 November, 2016, 11:49

      ARW is more Yes than Yes is at this point. You have to admit; no matter what, he’s doing Squire bass lines including”The Fish”….how can he not be compared to Chris. To his credit, he did a great job! Only comment I have is bass could have used more treble. His backup vocals were pretty good too. Motion was great too. Saw the show in Buffalo….it was great….. awesome to hear Jon’s voice again.

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    • Ed Sullivan
      Ed Sullivan 3 May, 2017, 10:33

      Then, they shouldn’t be playing Yes songs, requiring some poor soul to fill Chris’s shoes.

      Reply this comment
  4. George T
    #4 George T 4 November, 2016, 20:49

    Didn’t Roger Dean also do Uriah Heep’s albums?

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