REVIEWS:
What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series
Ellen Foley Returns with ‘Fighting Words’: Review
On her fifth solo album, the singer proves that she can still come out fighting, at least when her material is up to the task.
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Beach Boys’ ‘Feel Flows’ Box Set: Review
The box proves that the band’s genius didn’t end in the mid-’60s. All six members of the group contributed fine material during this unheralded period.
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Ian Anderson Celebrates The Real Jethro Tull
We review Jethro Tull: The Rock Opera, a multi-media presentation featuring Ian Anderson performing his old band’s music while honoring its namesake
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George Harrison’s ‘All Things Must Pass Uber Deluxe’ Box Set: Review
The new edition, which adds nearly 50 previously unreleased tracks, offers numerous reminders that the album deserves its sterling reputation.
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Eric Clapton’s ‘461 Ocean Boulevard’: A Renewal of Confidence & Strength
The 1974 release stands as a milestone within Clapton’s lingering legacy, no small achievement considering the wealth of great music he’s created.
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The Rolling Stones’ ‘Live on Copacabana Beach’: Review
The Stones are in fine form at the Brazilian show as they tackle classic material, none of which should need any introduction to anyone.
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Laura Nyro ‘Live in Japan’: Previously Unreleased Concert Set Reviewed
The set embraces some of Nyro’s best-known compositions, including “Wedding Bell Blues,” “And When I Die” and “Save the Country,” plus terrific covers.
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Moody Blues’ John Lodge 2017 Solo Tour: Review
It was a big year for the Moody Blues with a tour and expanded edition of their masterpiece, and selection for the Rock Hall
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Crowded House Returns With ‘Dreamers Are Waiting’: Review
With several personnel changes, they sound somewhat different, but the album recalls Neil Finn’s lush, richly textured, understated solo work.
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Tim Buckley Recorded Live in San Francisco, 1968: Review
The singer-songwriter was at his creative peak–his vocals and guitar work are fine throughout–and his band is compelling.
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