REVIEWS:
What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series
J. Geils Band’s ‘Live—Blow Your Face Out’ Revisited
It wasn’t their first live album, but ‘Blow Your Face Out’ took the band’s manic rock ‘n’ soul energy to another level entirely.
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Bill Withers, ‘Live at Carnegie Hall’: Soul Preachin’
He’d never even planned for a career in music. Before long, he found himself on stage at one of the most prestigious performance venues in the world.
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Roger Daltrey and His 1973 Solo Debut: Doing A Favor
He wasn’t even planning on recording a solo album. But one thing led to another and soon The Who’s lead singer found himself with 10 songs of his own.
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Dr. John’s ‘Gumbo’: A New Orleans Master’s Thesis
For the sessions, instead of his own new material, he breathed authentic life into lively new versions of hometown classics.
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The Doors’ ‘LA Woman’: Last Call
Their sixth and final studio LP re-energized the band through a return to their roots in American blues, and served as a tribute to their hometown.
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A Rollicking Live Album from Willie Nile: Review
His instantly recognizable voice conveys urgency throughout the set, which features his guitar and piano work and a tightly knit backup trio.
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The Paul McCartney Solo Debut: His Declaration of Independence
The 1970 album, his first outside of the Beatles, is a picture of Paul in transition, a historical document of quiet beauty.
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Bob Seger ‘Live Bullet’: Old Time Rock ‘n’ Roll
Although he was a star locally, the Detroit rocker had been struggling for years to break out nationally—until he formed the Silver Bullet Band.
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Ray Charles’ Soulful Country Music: ‘It’s Got to Move Me’
The 1962 album astonished pop consumers with the quality of the chosen songs, the intensity of Charles’ vocals and the amazing arrangements.
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Jim Croce ‘You Don’t Mess Around With Jim’: An Everyman Arrives
With more time, he might have taken his place as an equal of James Taylor, Gordon Lightfoot, Paul Simon, etc.
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