Posts From Greg Brodsky

Lou Adler Interview: The Making of Carole King’s ‘Tapestry’ + More

“I think it’s the soundtrack of a lot of people’s lives,” the legendary producer and Ode Records founder says of the album that, at one point, was the biggest of all time

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The Making of the ‘Sweet Baby James’ Album Cover

By late 1969, Henry Diltz had been shooting many top recording artists in Southern California when he got a call to shoot a 21-year-old singer-songwriter

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‘Billy Jack’: One Tin Soldier Rides Away

The movie, directed, written and starring Tom Laughlin, had a long journey on its way to the screen. Its memorable song was recorded – and charted – multiple times

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10 (More) Classic Rock Bar Bet Questions

When Part 1 became one of our most-read stories of 2022, we knew we had to do a sequel. Here’s trivia on Fleetwood Mac, Jethro Tull and Billy Joel

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Photographer Elliott Landy on The Band

The renowned lensman took over 12,000 photos of them. Many of these stunning images are featured in his 2016 book and a new title coming in 2024.

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The Number One Singles of 1966: Good Vibes

Only one song stayed at the top for 3 weeks or more. And thus, no less than 37 singles reached #1 that year. Several musical acts had more than one

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11 Surprising 1970s Radio Hits (Part 4)

Our series continues with novelty songs, a German driving song, and one from a movie that scared the daylights out of us. Everybody was Kung Fu Fighting…

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‘Devil With a Blue Dress On’: The Ultimate Party Song

Mitch Ryder and the Detroit Wheels teamed with Four Seasons producer Bob Crewe for the 1966 hit recording, coupled with a Little Richard classic

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Elton John and John Lennon at MSG in 1974: Behind-the-Scenes

Ray D’Ariano was just 25 when he got his dream job. One month into his gig at MCA Records, he was alone backstage with two of the world’s biggest music stars

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Authors Talk ‘All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs’ Book

We got some revelations about the 2 stars’ chemistry, Derek and the Dominos’ participation on ATMP, and the continued “travesty” of a key missing credit on “Layla”

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