REVIEWS:
What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series
‘Pushin’ Too Hard: American Garage Punk’ Picks Up Where ‘Nuggets’ Left Off: Review
The collection features both classic and obscure garage rock from the golden era.
Read MoreReview—James Taylor’s ‘Sweet Baby James’: Fire and Rain
It ushered in the singer-songwriter era and has endured as a beacon to listeners and like-minded musicians for half a century.
Read More‘Song & Dance Man: The Art of Bob Dylan’: Book Review
The book, originally published in 1972, has been greatly expanded and updated to cover Dylan into the ’90s.
Read MoreVan Morrison: His Finest Live Album
The enhanced original ‘It’s Too Late to Stop Now’ and the added three discs and DVD are a treasure trove of live in-concert gems.
Read MoreJefferson Airplane ‘Surrealistic Pillow’: The LP That Fed Your Head
The Summer of Love landmark sounds like a sonic experiment, drenched in echo and reverb, with poetic lyrics that often flirt with the totally irrational.
Read MoreDire Straits’ ‘Live: 1978–1992’ Is a Must-Have Boxed Set: Review
The eight-CD (or 12-LP) set, which comes with a 16-page booklet, is a treasure trove of great rock performances.
Read MoreJackson Browne: The 1st Album, An L.A. Troubadour’s Debut
Several of his songs, written when he was still in his teens, had already been recorded by others by the time Browne entered the studio to cut his debut.
Read MoreSimon & Garfunkel’s ‘Bridge Over Troubled Water’: An Epic, Massive Swan Song
By the time ‘Bridge’ swept the 1971 Grammy Awards, Paul Simon and Art Garfunkel had effectively parted ways professionally.
Read MorePretenders Debut Album: Chrissie Hynde Takes No Prisoners
Released at the edge of the ’70s punk and new wave assaults, ‘Pretenders’ traded on her substantial punk bona fides—but there was more to it.
Read MoreThe Dusty Springfield Pop-Soul Pinnacle: ‘Dusty in Memphis’
Nearing 30, the British vocal great was intimidated by the soul power at Atlantic Records, her new home. She overcame it and turned out a masterpiece.
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