Album Rewinds

Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective

Rockpile’s ‘Seconds of Pleasure’: One And Done

By any measure they were a great rock ‘n’ roll band, but their sole album under the group’s name didn’t always show why.

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‘Ringo’: His 1973 Solo Breakthrough, With a Little Help From You Know Who

Although he’d had a couple of solo hits post-Beatles, the albums just weren’t happening. Then he reached into his phone book and made a few calls.

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Stevie Wonder’s ‘Talking Book’: Passion, Pain & Love

Said the Motown great of the groundbreaking 1972 album, “I wanted to express various things that I felt…the passions, emotion and love.”

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‘The Who By Numbers’: Back to Basics

After an eight-year odyssey of releasing concept albums, the original quartet put together a set of unrelated songs that found favor with their fans.

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Tom Petty & the Heartbreakers’ ‘Damn the Torpedoes’: Full Speed Ahead

The LP was the band’s long-awaited breakthrough, with them now matching the caliber of their front man’s writing with their focused musicianship.

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Pure Prairie League: ‘Bustin’ Out’—Persistence Pays Off

Left for dead by their record label, and with musicians using the group as a revolving door, the band nearly packed it in. Then they got lucky.

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Genesis’ ‘Seconds Out’: From Paris With Love

Released in 1977, the 2-LP set showcased the band’s great live performances and was a major worldwide hit.

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When ELO Delivered Magic With ‘Face the Music’

Other triumphs would follow, but clearly this 1975 best-seller marked a turning point in both their tapestry and trajectory.

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King Crimson’s Debut: Laying the Groundwork for the Prog Revolution

The 1969 debut album set a standard for all prog-rock that followed and raised the bar in terms of expectation and achievement.

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The Who’s ‘Odds & Sods’: Beat the Boots

Fed up with the volume of unauthorized Who LPs on the market, the band put together this mixed bag of leftover tracks.

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