Album Rewinds

Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective

Santana ‘Abraxas’: Post-Woodstock Latin Magic

When it came to recording their second album, the band wanted to expend more effort, and make a better-sounding record, than their somewhat rushed debut.

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Blondie: ‘Parallel Lines’—An International Smash

The LP, which included the smash “Heart of Glass,” would transform the group from boutique act into a worldwide sensation. Our Album Rewind…

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‘Smiley Smile’: The Beach Boys Album That Wasn’t Supposed to Be

Their followup to ‘Pet Sounds’ was a quick replacement for an abandoned masterpiece-to-be. Some fans didn’t love it, but in time its reputation has grown.

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Cheap Trick ‘In Color’: The LP That Put Them on the Map

Cheap Trick broke musical and lyrical boundaries, even defying the look of a rock band with a couple of rock stars and a couple of nerds.

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Mott the Hoople ‘All the Young Dudes’ Generated Some Hoopla

The album, with its Bowie-written title track, emphasized the band’s bravado, and helped lay the foundation for the ’70s glam movement.

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R.E.M.’s ‘Document’: Not the End of the World, But the End of an Era

The Georgia band’s fifth studio album was the mark of a group spreading its wings, but also leaving something behind.

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Aerosmith ‘Permanent Vacation’: A Rejuvenation

They’d lost their way as the ’80s lumbered along. Then, the Boston rockers remembered just who Aerosmith was. We take a look back at their classic comeback

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The Byrds’ ‘Sweetheart of the Rodeo’: Cornerstone of Country-Rock

Their most consequential stylistic stroke since their pioneering folk-rock debut three years earlier, it ushered in country-rock and Americana.

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Warren Zevon’s Recovery Through ‘Sentimental Hygiene’

The 1987 album signaled more than a bid for a career reset. Now sober and focused, and with help from R.E.M., he was clearly back on track.

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The Kinks’ Masterful ‘Everybody’s in Show-Biz’

The Kinks returned to America in 1972 after a ban to become the arena rock band they deserved to be.

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