Posts From Mark Leviton

Mark Leviton

Mark Leviton began writing about music and pop culture in 1967, with credits in Rolling Stone, Creem, Fusion, Bay Area Musician, LA Weekly, Phonograph Record and many fly-by-night publications. For 25 years he worked for the Warner Music Group and Rhino Records, producing hundreds of compilation albums and historical reissues, placing recordings in films and TV, and generally having a blast. His bi-weekly radio show "Pet Sounds" is heard on KVMR-FM in Nevada City, CA and the website www.petsoundsmusic.com.

Maria Muldaur: Debut Solo Album—Smart, Sassy and Seductive

The 1973 album, which included the top 10 hit “Midnight at the Oasis,” is a potent blend of country, blues, folk and pop, and it still sounds fresh.

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Blind Faith: Behind the Doomed Supergroup’s Only Album

Formed from the ashes of Cream and Traffic, the new British quartet had so much promise. But after one stellar LP and a handful of gigs, they were gone.

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Talking Heads—‘More Songs About Buildings and Food’: Artful Music

“We don’t fit into anyone else’s category, so we’re going to have to create our own,” said David Byrne about the band’s second album.

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Bonnie Raitt Gives It One More Try with ‘Green Light’: Review

Her time at Warner Bros. Records had been exhilarating, frustrating and highly creative, and her legacy there is still well worth exploring.

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Free: ‘Fire and Water’—More Than Just All Right

The album featured one of rock’s all-time classics in “All Right Now,” but there was much more to the band’s ferocious-yet-controlled ethic.

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1974’s Bad Company Debut Album: When Rock Fans Couldn’t Get Enough

Arising from the ashes of Free, the band pursued a more stripped-down hard-rock vision. By the end of 1974, they had a #1 LP and were headlining arenas.

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The Go-Go’s’ ‘Beauty and the Beat’: A Scene of Their Own

No matter the level of personal and professional drama, the musical legacy remains, with their first LP as an early peak.

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The Bee Gees’ ‘Main Course’: The Turning Point

Just when it seemed as if their career might be over, the brothers Gibb drastically altered their style. They would soon find out what success really was!

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‘Broken English’: The Return of Marianne Faithfull

The 1979 album shows the influence of punk, reggae and jazz, and the lyrics often flowed from her still-in-process romantic and artistic collaborations.

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Stevie Ray Vaughan and Double Trouble’s ‘Texas Flood’: Out of the Gate

Recorded as a demo over a long holiday weekend, the album launched the career of the legendary bluesman and gave the genre itself a huge boost.

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