Linda LaFlamme, Who Co-Wrote ‘White Bird’ for It’s a Beautiful Day, Dies
by Jeff TamarkinLinda LaFlamme, who, as a member of the San Francisco band It’s a Beautiful Day, co-wrote their best-known song, “White Bird,” died Oct. 23, 2024, in Harrisonburg, Va. She was 85 and died from vascular dementia, according to a New York Times obituary that cited her daughter, Kira LaFlamme Newman, as its source. LaFlamme, who was with the group from 1967-69, had suffered a stroke in April.
Her full name, according to an official obituary posted online, was Linda Sue Rudman LaFlamme, but she went by her Hebrew name, Neska.
As a member of It’s a Beautiful Day, Linda LaFlamme, who was married at the time to the band’s leader, violinist David LaFlamme, played keyboards. She appeared only on the band’s self-titled debut album, which was released on Columbia Records in 1969. That album led off with the band’s signature song, “White Bird,” which was written by both David and Linda LaFlamme and sung by David with vocalist Pattie Santos.
According to the It’s a Beautiful Day entry in Wikipedia, “White Bird” was “inspired by the experiences David and Linda LaFlamme had while living in Seattle, Washington. For a few weeks in December 1967 the group members lived in the attic of an old house while playing and rehearsing at a Seattle venue originally known as the Encore Ballroom. The band’s manager, Matthew Katz, had recently assumed control over the club and renamed it ‘San Francisco Sound.’ In an ironic twist on the band’s name, the song was partly inspired by Seattle’s rainy winter weather.”
That same entry quotes David LaFlamme, who died in 2023, as saying, “Where the ‘white bird’ thing came from…We were like caged birds in that attic. We had no money, no transportation, the weather was miserable. We were just barely getting by on a very small food allowance provided to us. It was quite an experience, but it was very creative in a way.”
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The album reached #47 in Billboard in the U.S. The “White Bird” single missed the top 100 but reached #118 in the trade magazine. Its stature as an emblem of the San Francisco psychedelic music scene has grown over the years, however.
Linda Sue Rudman was born April 13, 1939, in St. Louis. A classically trained keyboardist, she moved to San Francisco after graduating from the University of Wisconsin in 1961. She met David LaFlamme, who was a classically trained violinist, two years later and the couple formed It’s a Beautiful Day in 1967.
The band’s manager, Matthew Katz, had previously worked with Jefferson Airplane and Moby Grape, whose problematic relationships with him led to protracted legal issues that persisted for years. It’s a Beautiful Day was not immune: According to the Wikipedia entry, “Katz prevented It’s a Beautiful Day from performing in San Francisco, telling them they were not ready.” It continues by noting that the band became “frustrated by Katz’s attempts to manipulate their career. In desperation, they began playing at a few clubs without his approval.” Eventually, “The band first began a long process of trying to disentangle themselves from Katz.”
The band’s debut album was produced by David LaFlamme but by the time it finished its run, Linda LaFlamme had ended both her marriage to David and her involvement with the group. She went on to form two other bands, Titus’ Mother and A Thought in Passing, neither of which received national recognition.
In 1997, a singer formerly named Linda Baker, who had married David LaFlamme, joined the then-current lineup of It’s a Beautiful Day, becoming the group’s second Linda LaFlamme and leading to some confusion in historical accounts. She remains its vocalist today.
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3 Comments so far
Jump into a conversationOne of the greatest “psychedelic “ tunes of the 60’s!
‘White Bird’ was and remains still,
a moody beautiful song of soaring heights.
Collectively,an excellent West Coast band.
I remember that it took us awhile to realize that there were in fact,two women in the group
as we honestly just believed that the keyboard player was indeed half of the vocal duet.
As for drummer Val Fuentes,I was completely knocked out that anyone could play so slow and still be the integral and vital driving force behind the sound,as this would not be the incredible tune that it became,without him.
To Linda—Rest in Peace dear Lady.
SAD news to read/hear re Linda LaFlamme…(and lately all the many great artists who are dying, and BCB reports them to us (me) who still love these artists!)
I remember seeing this album, back in the day 1969, when I might see albums for 1st time @ college record stores, and the cover art/band photos really ‘pre-sold’ the records visually, induced my curiosity, led one (me) to pick albums off wall, give it a quick look-over, and seduced purchase! And I might add, recall albums prices back then were $2.69!
Clearly recall seeing/handling this album, due to cover art, name of band (so rare) & titles of songs and buying it, anxious to get home and play it! AND LOVING IT! THEN and still today!
It is a very great musical and artistic/poetic album, cohesive in its fullness, a record I have shared and recommended and played for many others..who fell in love with it as well! (One of my female friends who I turned onto it, took it on sailing trip w/ her boyfriend, waiting to play it @ one point, when just the 2 of them were alone, she said, in ‘middle of nowhere’ on calm seas, and reported that, of course, he loved it, but hearing it in this setting only enhanced its beauty and power…)
It is such a rare and beautiful work of art, that I hope continues to reach as many folks as possible, esp the younger folks who are unfamiliar with it, and can go on the musical journey it offers…
I have played it on long distance road trips, and as a musical deep meditation for ‘inner trips’, and as background music to some house work project, being so positively affected!
I LOVE THIS ALBUM! LOL! And am listening to LIVE 1968 FILLMORE Concert version, as I type my remarks here/now, which is also a great version of album!
55 years later still delivers that beauty and artistic joy…