Posts From Sam Sutherland
‘Dixie Chicken’: Little Feat, Secret Southern Sauce
The group drew on Lowell George’s versatile command of blues, country, folk and R&B for its third—and many feel finest—studio album.
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Pretenders Debut Album: Chrissie Hynde Takes No Prisoners
Released at the edge of the ’70s punk and new wave assaults, ‘Pretenders’ traded on Chrissie Hynde’s substantial punk bona fides–but there was more to it.
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The Dusty Springfield Pop-Soul Pinnacle: ‘Dusty in Memphis’
Nearing 30, the British vocal great was intimidated by the soul power at Atlantic Records, her new home. She overcame it and turned out a masterpiece.
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The Poco Country-Rock Legacy: “Deliverin’,” With a Gallop
With its stellar vocal harmonies and instrumental dexterity, the album established Poco for decades to come and drew a blueprint for country-rock’s future
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Elton John’s ‘Tumbleweed Connection’: Raising the Stakes
The musical language that would define his work is all present on this early gem that solidified Elton’s writing partnership with Bernie Taupin
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Elvis Costello ‘Armed Forces’: What’s So Funny?
The band’s third album was a leap forward in songcraft and sonic ambition, a song cycle weaving the personal and political.
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The Band ‘Rock of Ages’: Their Live Pinnacle?
It belongs on any short list of the best live albums ever, while serving as a coda to the group’s groundbreaking influence.
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‘Running on Empty’: Jackson Browne’s Romance of the Road
The 1977 LP was Browne’s most surprising, least typical album, a game-changer that updated his identity from folk-rock troubadour to rock headliner
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‘Let It Bleed’: The Rolling Stones’ Turbulent Masterpiece
The album captures the band at its creative apogee through a dark masterpiece that mirrors the violent ’60s milieu in which it was created.
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The Van Morrison Masterpiece: ‘Astral Weeks’
A “feverish poetic intensity persists” throughout the cycle of songs that comprise his 1968 work, even as those songs shift in pace and tone
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