Tag "classic rock"

The Final Beatles Concert: Up on the Rooftop

They only wanted to get a feel for performing live in front of an audience again. They didn’t realize it would be the last time they ever did so.

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Steppenwolf, The Debut Album: Heavy Metal Thunder

If the album had given us nothing more than “Born to Be Wild,” it would still be a classic. But there was a lot more to the mostly Canadian band’s first LP.

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The Number One Singles of 1973: Each One Has a Story

We continue our series of looking at the most popular music for a given year. The topic, as you know by the headline, is singles and while we have done stories on the biggest hits of the year, this series

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‘Dixie Chicken’: Little Feat, Secret Southern Sauce

The group drew on Lowell George’s versatile command of blues, country, folk and R&B for its third—and many feel finest—studio album.

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Photographer Neal Preston on Shooting Led Zeppelin

In his more than 5-decade career, he has photographed many of the world’s biggest music, sports and film stars. He shared some great stories with us

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Radio Hits in January 1969: Over and Over

We’ve got some fun facts and great videos of hits from The Doors, Dusty Springfield, BJ Thomas, Tommy James and the Shondells, and more

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From Bobby Freeman to the Beach Boys, Mamas & Papas and Ramones: How ‘Do You Wanna Dance’ Became a Rock ‘n’ Roll Classic

You’ve heard Freeman’s 1958 hit—and most famous song—performed by John Lennon, the Ramones and the Beach Boys. Here’s how it evolved

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Bob Dylan’s Masterful ‘Blood on the Tracks’

After finishing the recording sessions for his new album, the artist decided he didn’t like some of it and went back into the studio. A classic emerged.

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The Number One Albums of 1980: Brick by Brick

Just 10 albums – including two film soundtracks and releases by several classic rock favorites – topped the U.S. sales charts. We tell their stories

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Pretenders Debut Album: Chrissie Hynde Takes No Prisoners

Released at the edge of the ’70s punk and new wave assaults, ‘Pretenders’ traded on Chrissie Hynde’s substantial punk bona fides–but there was more to it.

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