Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
‘Slowhand’: Eric Clapton’s 1977 Platinum Balancing Act
‘Slowhand’ offers a lucid balance of technical mastery and artistic modesty. It became his best-selling studio album to date upon its release.
Read More‘Hums of the Lovin’ Spoonful’ & The Evolution of Their Good-Time Music
For their third studio album, the band knew that it wanted no two songs to sound alike. The result: no two songs sounded alike.
Read MoreThe Beatles’ White Album: Facts and Trivia
At the same time they were maturing, they were leaving behind the Beatles. Here are some fascinating details on all 30 tracks on their ’68 masterpiece.
Read MoreQueen ‘A Night at the Opera’: A Fancy Blockbuster
Their fourth album was “a showy spectacle that revels in its bombastic production” and gave us “Bohemian Rhapsody.” It’s also an indisputable classic.
Read MoreDon Henley ‘Building The Perfect Beast’: Don’t Look Back
The 1984 album, recorded with ace musicians, yielded four hit singles, making the Eagles’ drummer/singer even more ubiquitous on the AM and FM radio dials
Read MoreThe Moody Blues’ ‘Seventh Sojourn’: A Journey All Its Own
Whereas their earlier albums were bathed in day-glo tones, imagery, Mellotrons and mystique, their eighth release was decidedly down-to-earth in comparison.
Read MoreStephen Stills’ A-List Solo Debut Revisited
A balance of DIY proficiency and top-tier talent gave the 1970 release an early head start in the race for most popular solo album by a member of CSN&Y.
Read MoreVan Morrison Grooves With the Street Choir
Morrison’s third official solo album in 1970 is largely about the spirit of soul/R&B, the feel and his singing. It features his biggest U.S. hit (no, not that one)
Read MoreDan Fogelberg’s ‘Souvenirs’ — A Keepsake That Was Part of the Plan
The 1974 LP features a star-studded cast of musicians, chief among them Joe Walsh, who not only oversaw its production, but also played guitar on 10 of its tracks
Read More‘Diana Ross & the Supremes Join the Temptations’: When Motown’s His & Hers Cadillacs Met Again
The LP was a perfect indicator of Motown’s growth, offering proof that Berry Gordy’s operation was quickly becoming a major Black-owned business.
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