Through The Lens
Rock ‘n’ roll isn’t just musical; it’s also visual. This is where we look through the viewfinder at iconic, memorable, stunning and beautiful images of classic rock acts and the photographers that capture them.
The Making of the ‘Sweet Baby James’ Album Cover
By late 1969, Henry Diltz had been shooting many top recording artists in Southern California when he got a call to shoot a 21-year-old singer-songwriter
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When Robbie Robertson Reunited With The Band Photographer Elliott Landy
At the U.S. premiere of the documentary, Once Were Brothers: Robbie Robertson and The Band, the musician offered his praise: “He was part of the family”
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When Eddie Van Halen Won the Internet With Family Photos
In 2019, a week after reports of health issues arose, the guitar legend appeared in a series of photos that elevated him to heights he likely never imagined
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Henry Diltz Interview: The Early ‘70s Los Angeles Music Scene
The legendary photographer shares his recollections–and photos–of many of that vibrant music scene’s fixtures including Linda, Joni, Jackson and Eagles
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Woodstock ’69 Through the Lens of Photographer Henry Diltz
He shares his story of the weeks leading up to the legendary festival and of the event itself. “I had the Golden Pass. I was working for the producer”
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Grace Slick: Amazing Photo at 1969 Woodstock Festival
We asked photographer Elliott Landy, for a special image of the classic rock legend at the 1969 Woodstock Festival. And did he come through!
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The Story of the Crosby, Stills & Nash Album Cover
In 1969, Henry Diltz got an assignment to take publicity shots for a new supergroup, who had just finished recording their debut. He takes us behind the scenes
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‘Let It Be’ Director Michael Lindsay-Hogg Interview: Filming the Beatles and the Stones
The director behind the 1970 Beatles film, Let It Be, was there when cinematic innovation first came to the rock video medium.
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Bob Dylan ‘Nashville Skyline’ Cover: The Inside Story
Elliott Landy talks about the magic hour of light and serendipity of his photo. “[Bob] stopped at the coat rack and grabbed a hat. ‘Do you think we could use this?’”
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That ‘Don’t Touch My Records!’ Scene in ‘Diner’
The film is a portrait of a time in America when all seemed innocent and carefree but was not: bubbling just underneath, trouble and tension.
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