
Says Barry Gibb: “We didn’t know what the film was about. We didn’t know there was a conflict of image that could perhaps hurt us later on. It sort of grew, blew out of proportion.”
The band was inescapably frozen in time–all long, flowing manes, falsettos, medallions, hairy chests, and skin-tight satin trousers, with John Travolta’s finger forever pointing in the air.

Related: Our feature on the Bee Gees’ “Lonely Days”
The Bee Gees would spend much of the post-SNF decades trying to convince people there was more to them, growing ever more resentful of their gigantic disco success. “We’d like to dress ‘Stayin’ Alive’ up in a white suit and gold chains and set it on fire,” Barry Gibb told Rolling Stone.
A new book, Staying Alive: The Disco Inferno of the Bee Gees, coming September 19 from author Simon Spence (Jawbone Press), “finally lifts that millstone from around their necks by joyfully reappraising and celebrating their iconic disco era,” says the announcement. “Taking the reader deep into the excesses of the most hedonistic of music scenes, it tells of how three brothers from Manchester transformed themselves into the funkiest white group ever and made the world dance.” Pre-order is available here.
Watch John Travolta’s stylish opening scene from Saturday Night Fever
Spence previously collaborated with Rolling Stones manager Andrew Loog Oldham on the acclaimed memoirs Stoned (Vintage 2001) and 2Stoned (Vintage 2003)
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Jump into a conversationI am seventy years old but still listen everyday to this fantastic group….