Posts From Thomas Kintner
Pete Townshend’s ‘Empty Glass’: The Who Album That Wasn’t
Although it’s fully satisfying on its own, the album, the most successful of Townshend’s solo releases, has been called a Who record that never was.
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Pat Benatar’s ‘Crimes of Passion’: Her Best Shot
She has remained the thing she set out to be, an artist who made her own seat at the table and turned it into a remarkable rock music legacy.
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Chicago’s Eclectic Debut Album: With Authority
Chicago’s speedy ascent was fueled by a landmark debut that made an immediate splash with critics and listeners, but it was more than a hit record.
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Jethro Tull’s ‘Thick As a Brick’: Concept LP or Parody of One?
Equal parts ambitious and meticulous, the band’s 1972 best-seller is a smartly produced collage whose appeals remain undimmed
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Warren Zevon’s ‘Excitable Boy’ LP: Werewolves and Lawyers, Oh My
With songs like “Werewolves of London,” “Lawyers, Guns and Money” and the title track, it was not only his greatest work but a singer-songwriter classic
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Styx’s ‘Paradise Theatre’: Where Prog Met Pure Pop
Filled with divergent visions from band members no longer on the same page, the album was the band’s greatest success but also the beginning of the end.
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Joni Mitchell’s ‘Court and Spark’: A Significant Pivot
Her 1974 best-seller was adorned by a sophisticated sonic sensibility that would define her career from that moment forward.
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When Johnny Cash Did Time ‘At Folsom Prison’
Performing for prison inmates was nothing new for the legendary singer, but his record label was nervous about making an album at one. Good thing they did
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James Taylor’s ‘Sweet Baby James’: Fire and Rain
It ushered in the singer-songwriter era and has endured as a beacon to listeners and like-minded musicians for half a century.
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Harry Nilsson’s Ambitious ‘Schmilsson’ LP Revisited
Noteworthy for its scope and ambition, the album was justifiably rewarded with worldwide success that took Nilsson to the next level of stardom.
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