Recordings
Best Classic Bands offers smart, informed and unbiased assessments of the latest rock album releases and reissues to offer readers guidance on what sounds they might enjoy.
John Lennon’s Massive ‘Power to the People’ Box Set: Review
Lennon lovers will find interesting material in the new collection, and even casual fans will discover some pleasures here.
Read MoreFrank Zappa’s ‘One Size Fits All’ Gets Boxed: Review
Though you might or might not like the quirky, sometimes puerile lyrics that pepper portions of this set, Zappa’s elaborate prog-rock compositions are impressive, as is the band’s musicianship.
Read MoreThe Third Mind Is First-Rate ‘Right Now’: Review
The band recorded this CD the same way it made its previous albums: quickly, and without preconceptions, discussions or rehearsals.
Read MoreAn Anthology of Demos from Fabled Pop Songwriter Doc Pomus: Review
Commemorating the 100th anniversary of his birth, the box features 165 demos, most of which were previously unreleased.
Read MoreLindsey Buckingham & Stevie Nicks, Before the Fame: Review
Listening now to the album is a bit like hearing the Beatles’ 1962 audition tape for Decca.
Read MoreA Career-Spanning Cat Stevens Anthology: Review
The two-CD ‘On the Road to Findout’ offers a comprehensive survey of his entire career.
Read MoreDavid Bowie’s Massive ‘I Can’t Give Everything Away [2002–2016]’: Review
Despite the dearth of new material, the box’s compilers have managed to deliver a wealth of content.
Read MoreReggae Stars Featured on Two New CDs: Review
Steve Miller guests on a cover of his “Fly Like an Eagle,” and the Heartbreakers’ Mike Campbell plays on a version of Tom Petty’s “I Won’t Back Down.”
Read MoreMarianne Faithfull Box Collects Singer’s 1960s Recordings: Review
The singer proves capable of handling everything from traditional and modern folk to Brill Building tunes and rock.
Read More‘I Shall Be Released: Covers of Bob Dylan 1963-1970’: Review
What we largely have here are obscure recordings, some by well-known artists and some by performers who have attracted much less attention than the songs they’re covering.
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