Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
When Commander Cody & His Lost Planet Airmen Were ‘Lost in the Ozone’
There was much more to this genre-defying band than “Hot Rod Lincoln.” Here is the back story of a truly versatile and unique group.
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Traffic ‘The Low Spark of High Heeled Boys’: Rock on the Fusion Frontier
What had begun as post-‘Sgt. Pepper’ psychedelia turned toward a darker, more idiosyncratic synthesis of jazz, blues, world music and English folk elements.
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‘Slowhand’: Eric Clapton’s 1977 Platinum Balancing Act
‘Slowhand’ offers a lucid balance of technical mastery and artistic modesty. It became his best-selling studio album to date upon its release.
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‘Hums of the Lovin’ Spoonful’ & The Evolution of Their Good-Time Music
For their third studio album, the band knew that it wanted no two songs to sound alike. The result: no two songs sounded alike.
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The Beatles’ White Album: Facts and Trivia
At the same time they were maturing, they were leaving behind the Beatles. Here are some fascinating details on all 30 tracks on their ’68 masterpiece.
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Queen ‘A Night at the Opera’: A Fancy Blockbuster
Their fourth album was “a showy spectacle that revels in its bombastic production” and gave us “Bohemian Rhapsody.” It’s also an indisputable classic.
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Don Henley ‘Building The Perfect Beast’: Don’t Look Back
The 1984 album, recorded with ace musicians, yielded four hit singles, making the Eagles’ drummer/singer even more ubiquitous on the AM and FM radio dials
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The Moody Blues’ ‘Seventh Sojourn’: A Journey All Its Own
Whereas their earlier albums were bathed in day-glo tones, imagery, Mellotrons and mystique, their eighth release was decidedly down-to-earth in comparison.
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Stephen Stills’ A-List Solo Debut Revisited
A balance of DIY proficiency and top-tier talent gave the 1970 release an early head start in the race for most popular solo album by a member of CSN&Y.
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Van Morrison Grooves With the Street Choir
Morrison’s third official solo album in 1970 is largely about the spirit of soul/R&B, the feel and his singing. It features his biggest U.S. hit (no, not that one)
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