Album Rewinds

Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective

The Who’s ‘Odds & Sods’: Beat the Boots

Fed up with the volume of unauthorized Who LPs on the market, the band put together this mixed bag of leftover tracks.

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When Donald Fagen Lightened Up With ‘The Nightfly’

On his debut solo album, cut during Steely Dan’s ’80s hiatus, he trades cynicism for nostalgia in a song cycle.

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Bob Dylan’s ‘Desire’: Story Time

Songs from the best-selling album continued to be heavily featured in the Rolling Thunder Revue live performances.

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Good ‘Sports’: How Huey Lewis and the News Hit a Home Run

The album remains one of the band’s most memorable efforts, and confirmation that they were decidedly in the game.

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Supertramp: ‘Crime of the Century’—Success at Last

Even before they set foot in the studio to begin recording, the band “knew we had a hit,” said Roger Hodgson.

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‘Late for the Sky’—The Jackson Browne Confessional Masterpiece

He achieved a poetic force with the eight songs comprising the album, their lyrics demanding a closer listen.

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‘Wrecking Ball’—Emmylou Harris, Rewired

The 1995 album was a gamble both forward-looking but also connected to her early career as a folk singer.

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Frey & Souther’s ‘Longbranch Pennywhistle’: Not Ready for Prime Time Players

The sparks of genius are here and there in the songwriting, and especially in the deft singing and instrumental arrangements.

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Elvis Costello’s ‘Taking Liberties’: Spare Parts

The compilation album proved early in his career that his so-called “leftovers” are better than many other artists’ main meals.

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Revisiting Paul Simon’s U.S. Solo Debut: World Music

He said at the time, “I am really happy to be by myself now and not have to share decisions. Now I do things almost entirely to my taste.”

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