Posts From Mark Leviton

Mark Leviton

Mark Leviton began writing about music and pop culture in 1967, with credits in Rolling Stone, Creem, Fusion, Bay Area Musician, LA Weekly, Phonograph Record and many fly-by-night publications. For 25 years he worked for the Warner Music Group and Rhino Records, producing hundreds of compilation albums and historical reissues, placing recordings in films and TV, and generally having a blast. His bi-weekly radio show "Pet Sounds" is heard on KVMR-FM in Nevada City, CA and the website www.petsoundsmusic.com.

‘Little Feat: The Documentary’ Makes a Compelling Case for an Often Complex Legacy

Since forming in 1969, they have proved to be one of the most highly respected “cult bands” in rock history.

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Paul Simon ‘There Goes Rhymin’ Simon’: American Tunes

With classic songs such as “American Tune,” “Kodachrome” and “Loves Me Like a Rock,” his third solo album sealed his reputation as a major solo artist.

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13 Classic Triple Albums: When Rockers Expanded the Limits

In the classic rock era, some of the greatest artists expanded the limits of what was being released on vinyl. We look back at some of the best 3-LP sets.

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Dave Edmunds’ ‘Tracks on Wax 4’: In the Spirit

He told a journalist, “Three-minute singles with a bit of feeling and class, were what we based Rockpile on.”

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Rod Stewart ‘Unplugged…And Seated’: Having a Party

Pushing the “unplugged” concept to its limit, Stewart is backed by a full string section and a dozen other musicians and vocalists.

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Roger Daltrey and His 1973 Solo Debut: Doing A Favor

He wasn’t even planning on recording a solo album. But one thing led to another and soon The Who’s lead singer found himself with 10 songs of his own.

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‘L.A. Woman’: The Doors’ Last Call

Their sixth and final studio LP re-energized the band through a return to their roots in American blues, and served as a tribute to their hometown.

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‘Europe ’72’: On the Bus with the Grateful Dead

What’s most important about the live album and the thing that still makes it shine in the GD catalog, are those songs that never got a studio reading after its release.

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Bob Seger ‘Live Bullet’: Old Time Rock ‘n’ Roll

Although he was a star locally, the Detroit rocker had been struggling for years to break out nationally—until he formed the Silver Bullet Band.

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Joni Mitchell ‘Ladies of the Canyon’: Painting the Canvas

The album sets out clearly the direction Mitchell would take for the rest of her career, leaving behind the constraints of folk music.

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