REVIEWS:
What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series
Kiss’ ‘Destroyer’: Where the Music Finally Equaled the Image
Everyone knew the makeup, the blood and that tongue, but their records weren’t selling. Then came ‘Destroyer’ and a single that almost didn’t make the cut.
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Joni Mitchell ‘Ladies of the Canyon’: Painting the Canvas
The album sets out clearly the direction Mitchell would take for the rest of her career, leaving behind the constraints of folk music.
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Beatles Documentary, ‘Eight Days a Week’: Review
The 2016 film is “a nonstop rush of adrenaline, a comfort-food feast of melodic guitars and impeccable harmonies, unbridled creativity and boundless artistic determination, cheeky wit and newness and wonder and youth. And screams—lots of screams.”
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Genesis’ ‘Seconds Out’: From Paris With Love
Released in 1977, ‘Seconds Out’ showcased the band’s great live performances and was a major worldwide hit.
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Pretenders Reborn: ‘Learning to Crawl’
With hits like “Back on the Chain Gang” and “My City Was Gone,” the band successfully rebounded from tragedy.
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The Who ‘Live at Shea Stadium 1982’: Review
With Kenney Jones on board in the wake of Keith Moon’s death, the band touched on all phases of its career.
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The Allman Brothers Band’s ‘Eat a Peach’: Farewell to a Brother
Started before the death of Duane Allman, and completed after he was gone, the album served as a poignant, multifaceted farewell to the guitar great.
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When Zappa Was ‘Only In It for the Money’
The third album from the genius and his motley band lampooned society and the hippies escaping it. We look back at a ’60s masterpiece.
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The Doobie Brothers—‘The Captain and Me’: Polishing a Diamond
By the time they started recording their third album, the San Jose band had transformed itself into an eclectic and progressive group.
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Parton, Ronstadt and Harris’ ‘Trio’: Soaring Sisterhood
Their partnership is among the purest, boasting a celestial vocal blend, rooted in mutual admiration and the sheer joy of making music
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