Album Rewinds
Given the test of time and the wisdom of hindsight, how do significant albums from the past sound and play today? Our critics take a second look from a fresh perspective
Pretenders Reborn: ‘Learning to Crawl’ @ 40
With hits like “Back on the Chain Gang” and “My City Was Gone,” the band successfully rebounded from tragedy.
Read MoreThe Allman Brothers Band’s ‘Eat a Peach’: Farewell to a Brother
Started before the death of Duane Allman, and completed after he was gone, the album served as a poignant, multifaceted farewell to the guitar great.
Read MoreWhen Zappa Was ‘Only In It for the Money’
The third album from the genius and his motley band lampooned society and the hippies escaping it. We look back at a ’60s masterpiece
Read MoreJethro Tull ‘Thick As a Brick’: Don’t Sit This One Out
Equal parts ambitious and meticulous, the band’s 1972 best-seller is a smartly produced collage whose appeals remain undimmed
Read MoreThe Doobie Brothers—‘The Captain and Me’: Polishing a Diamond
By the time they started recording their third album, the San Jose band had transformed itself into an eclectic and progressive group.
Read MoreSteely Dan Delivers Bite-Sized Gems on ‘Pretzel Logic’
On their 1974 LP, Fagen and Becker honed their humorous lyrics and perfected their luscious arrangements that straddled multiple genres.
Read MoreParton, Ronstadt and Harris’ ‘Trio’: Soaring Sisterhood
Their partnership is among the purest, boasting a celestial vocal blend, rooted in mutual admiration and the sheer joy of making music
Read MoreTodd Rundgren ‘A Wizard, A True Star’: Brilliant & Baffling
Was Todd’s against-the-grain psychedelic album a masterpiece or a slab of unintelligible self-indulgence? We look back at a ’70s classic
Read MoreVan Morrison and ‘Moondance’: A Brand New Day
Always singing as if his life depends on a good take, the 1970 album is a lesson in musical brilliance, flexibility and hard work.
Read MoreRickie Lee Jones’ Debut: Hipster Chic, Beyond Laurel Canyon
She reached beyond folk, rock and blues influences then dominant among Los Angeles’ singer-songwriters, looking to earlier generations of songsmiths.
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