REVIEWS:
What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series
Graham Parker ‘Squeezing Out Sparks’: Simple As a Heartbeat
The 1979 album doesn’t have a weak song or performance, and continues to be cited as the British singer-songwriter’s greatest achievement.
Read MoreRoger Hodgson Serves Up Supertramp Favorites: 2020 Review
It’s been well over 40 years since their breakout album, Breakfast in America, and the group’s principal songwriter and singer was celebrating it with fans
Read MoreBonnie Raitt Rebounds in the ‘Nick of Time’
Just when her career needed a boost, Raitt switched labels and came up with her biggest hit album, which took her all the way to number one
Read MoreDion Teams with Female Artists on ‘Girl Friends’: Review
Joined by guests like Carlene Carter, Shemekia Copeland and Rory Block, the 84-year-old singer proves he can still make great music.
Read MoreNeil Young ‘Harvest’: Keep Me Searching
Partnering with a new band he called the Stray Gators, Young recorded one of his most popular albums of all-time, and it gave him his only #1 single
Read MoreThe Who’s ‘Face Dances’: After Tragedy, Transition
Somehow, after Keith Moon’s death, they were able to direct their energy into a fine studio effort that explored new and varied styles
Read MoreJerry Jeff Walker: More Than ‘Mr. Bojangles’
The outlaw country singer was also a first-rate songwriter, capable of sweet, evocative folk tunes of memorably iconoclastic characters
Read MoreKiss’ ‘Destroyer’: Where the Music Finally Equaled the Image
Everyone knew the makeup, the blood and that tongue, but their records weren’t selling. Then came ‘Destroyer’ and a single that almost didn’t make the cut.
Read MoreJoni Mitchell ‘Ladies of the Canyon’: Painting the Canvas
The album sets out clearly the direction Mitchell would take for the rest of her career, leaving behind the constraints of folk music.
Read MoreBeatles Documentary, ‘Eight Days a Week’: Review
The 2016 film is “a nonstop rush of adrenaline, a comfort-food feast of melodic guitars and impeccable harmonies, unbridled creativity and boundless artistic determination, cheeky wit and newness and wonder and youth. And screams—lots of screams.”
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