REVIEWS:

What’s the read on the latest reissue releases and live performances by classic rock artists? What biopics, movies or documentaries are worth seeing in theaters and at home? What books about rock music and the people who make and work with it are worth reading. Our team also takes a fresh look at notable works in our Album Rewind series

A Celebration: Jimi Hendrix’s ‘Electric Lady Studios’ Box Set Review

Throughout, the sound quality is excellent, and his guitar work is rarely less than astonishing.

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Graham Parker & the Rumour’s ‘Heat Treatment’: When Pub-Rock Met New Wave

When the Village Voice unveiled its 1976 Pazz & Jop Poll winners, an unknown English musician commanded two of the top five entries from the influential poll’s panel of music critics

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Grateful Dead ‘Long Strange Trip’ Documentary: Review

A sprawling collection of transcendent highs and the occasional free-falling low, much like a Dead concert. We review the 4-hour film

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Jimmy Webb Performs His Classic Songs: Concert Review

His masterful compositions have been recorded by Glen Campbell, the 5th Dimension, Johnny Rivers and many others.

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Dire Straits’ ‘Making Movies’: Mark Knopfler’s Widescreen Ambitions

The album restored the band’s platinum stature with a more expansive style verging on prog rock while retaining retro accents

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Traveling Wilburys’ Debut: Just Your Basic Dylan-Petty-Harrison-Orbison-Lynne Supergroup

Their unexpected union was a landmark combining an array of distinctive voices into something no individual could create alone.

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Joni Mitchell’s Latest ‘Asylum Years’ Box Yields Jazzy 1976-80 Treasures

A lot of spectacular stuff was sitting in the vaults. You’ll find it in ‘Vol. 4’

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1977’s Incendiary ‘Moonflower’ From Santana

After several years without a hit single or album, this top 10 hybrid studio/live LP featured a cover of the Zombies’ “She’s Not There.”

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Paul Simon ‘Still Crazy After All These Years’: A Solo Triumph

His only #1 LP, and an Album of the Year Grammy winner, this 1975 release offered definitive proof that he was not going back to the past.

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Al Stewart and ‘Year of the Cat’: Musical Cinema

He liked the title track, but didn’t consider it suitable as a single, until producer Alan Parsons and the record company convinced him of its destiny.

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