Posts From Mark Leviton
Randy Newman ‘Sail Away’: The Big One
The 1972 album proved a breakthrough for his career both in terms of quality and box-office appeal as singers of many genres competed to record its tunes
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Don Henley ‘Building The Perfect Beast’: Don’t Look Back
The 1984 album, recorded with ace musicians, yielded four hit singles, making the Eagles’ drummer/singer even more ubiquitous on the AM and FM radio dials
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Gregg Allman Solo Debut ‘Laid Back’: Trauma and Survival
The LP was intended to go in a different direction than the ABB: softer, more contemplative, acoustic-based, a statement of gratitude in the face of loss.
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Stevie Wonder’s ‘Talking Book’: Passion, Pain & Love
Said the Motown great of the groundbreaking 1972 album, “I wanted to express various things that I felt…the passions, emotion and love.”
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Merle Haggard & Willie Nelson’s ‘Pancho & Lefty’: Masters at Work
Austin met Bakersfield on this meeting of consummate country stars in the early ’80s, produced with Chips Moman, designed to look backward and forward at the same time.
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Neil Young’s ‘Comes a Time’: Direct From The Heart
He became mostly restrained and melancholy for this 1978 release, drawing on folk and country idioms. It includes recordings made over several years.
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Rockpile’s ‘Seconds of Pleasure’: One And Done
By any measure they were a great rock ‘n’ roll band, but their sole album under the group’s name didn’t always show why.
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The Who’s ‘Odds & Sods’: Beat the Boots
Fed up with the volume of unauthorized Who LPs on the market, the band put together this mixed bag of leftover tracks.
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Santana ‘Abraxas’: Post-Woodstock Latin Magic
When it came to recording their second album, the band wanted to expend more effort, and make a better-sounding record, than their somewhat rushed debut.
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Vanilla Fudge’s 1967 Debut: Maximum Psychedelia
It was rock music pushed to its limits, with a radical use of soft-loud-soft dynamics and the emotional drama of rhythm and blues and soul
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