Posts From Amy McGrath
Elton John’s ‘Don’t Shoot Me, I’m Only the Piano Player’: A High-Water Mark
The album marked a burgeoning ascent to superstardom and continued a solid streak of hits that are, to the present day, certified as classics.
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Psychedelic Furs’ ‘Talk Talk Talk’: More Than Just ‘Pretty in Pink’
With its raw energy and Richard Butler’s distinctive, darkly romantic vocals, the 1981 album pushed the band beyond its initial post-punk sound.
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Daryl Hall & John Oates’ ‘Voices’: Taking Control
“It really marks a moment where Daryl and I decided to take creative control over our own music,” said Oates.
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‘Daytime Revolution’: When John & Yoko Changed American TV—Review
Their hugely iconic appearance on ‘The Mike Douglas Show’ gave insight into how a daily variety program could make radical and groundbreaking viewing
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Fleetwood Mac: Mirage—A Return To the Top
The 1982 album, and follow-up to 1979’s more experimental Tusk, served as a return to the more polished and accessible sound of the band’s earlier work.
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The REO Speedwagon Debut LP: A Hint of Things to Come
Their only album with frontman Terry Luttrell, it paved the way for future success.
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Neil Diamond ‘Hot August Night’: Renowned Hits & Self-Indulgent Gems
So revered was the vibe—and all those hits—that you can’t really tell the 1972 release is a live album.
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A Look Back at the Final—And Most Successful—Police LP, ‘Synchronicity’
The band’s 1983 release, that came after a recording hiatus while touring the world, is much more than the mega-hit single, “Every Breath You Take.”
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Billy Joel: On 1976’s ‘Turnstiles,’ Classic Songs, Unappreciated
Even with songs like “New York State of Mind” and “Say Goodbye to Hollywood,” the album fizzled upon its release
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Oasis’ ‘Definitely Maybe’: The Audacious Debut from the Britpop Behemoths
The original album has never gone out of style. While the States accepted it with mild trepidation in 1994, the impact was immediate in the U.K.
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